Artist
Trevor Taylor (2)
15 releases · 50 collaborators · 2 labels
- Date active
- 1999 – 2020
- Relevance
- Extremely Low, very weak ties with the core cluster (here through one or more shared credits)
Bio
Originally a drummer, Taylor studied with Alan Jackson and several other prominent jazz musicians. He grew more interested in percussion and electronic music in the early 1970s after discovering Pierre Boulez, Elliott Carter and Karlheinz Stockhausen. Trevor attended The Guildhall School Of Music & Drama in London and further learned percussion with Gilbert Webster. Over the years, Trevor Taylor performed with dozens of bands and ensembles, including Barry Anderson's West Square Music Workshop, and has been active as a concert promoter.
In the mid-1970s, Trevor Taylor first met Ikutaro "Taro" Kakehashi, founder of Roland Corporation, who frequently traveled to the UK before starting his iconic brand. After opening the Future Music stores, Taylor began distributing Roland instruments in Britain. He operated a 24-track recording studio above the Chelmsford shop, equipped with Roland CPE-800 Compumix, the world's first mixing console with motorized faders that Taro brought for him from Japan. In 1983, Trevor visited Roland's factory in Hamamatsu and consulted Kakehashi on a new line of electronic drums. During his Japan trips, Taylor saw Isao Tomita's studio with a massive Roland System 700 modular synthesizer setup and met shakuhachi player and Wire contributor Clive Bell. Taylor and Bell appeared on the BBC's TV program "Look East," performing free improv/live electronic music, and briefly played in one of Trevor's bands, Worlds In Collision.
Taylor retired and shut down the "Future Music" chain soon after the '90–91 global recession. In Ikutaro Kakehashi's obituary written by Trevor in April 2017 for Wire, he recalled being "disillusioned with the way musicians were investing in technology to cover up their limited music[al] ability." Instead, he focused on music and the FMR label full-time.
Member of
Trevor Taylor (2) (Artist)
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Ars Transmutatoria BleuYear: 2020 Preview: No Label:
Role: Percussion for Michel Lambert
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Dedicated To Steve BeresfordYear: 2020 Preview: No Label:
Role: Percussion for London Improvisers Orchestra
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Sustaining The MusicYear: 2020 Preview: No Label:
Role: Percussion for London Improvisers Orchestra
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GAUYear: 2019 Preview: No Label: FMR Records (2)
Role: Executive Production · Design for München Neus
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SuperGAUYear: 2019 Preview: No Label: FMR Records (2)
Role: Executive Production · Design for München Neus
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ImaginingsYear: 2018 Preview: No Label: FMR Records (2)
Role: Percussion · Electronics · Artwork for Ian Brighton
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Kontakte TrioYear: 2017 Preview: No Label: FMR Records (2)
Role: Authorship with Kontakte Trio : Ian Brighton, Steve Beresford · Percussion · Electronics · Artwork
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OutgoingYear: 2015 Preview: No Label: FMR Records (2)
Role: Executive Production for François Carrier, Steve Beresford, John Edwards, Michel Lambert
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Live In The UKYear: 2010 Preview: No Label: FMR Records (2)
Role: Production for Parallax (14)
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For Those Who Have EverythingYear: 2009 Preview: No Label: FMR Records (2)
Role: Production for Are Lothe Kolbeinsen / Terje Evensen & Maria Castro
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No Now Is SoYear: 2009 Preview: No Label: FMR Records (2)
Role: Production for Alexander Hawkins Ensemble
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FluxYear: 2007 Preview: No Label: FMR Records (2)
Role: Production · Artwork · Design for Mark O'Leary, Dylan Van Der Schyff, Wayne Horvitz
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DhaYear: 2004 Preview: No Label: FMR Records (2)
Role: Production · Liner Notes for Dha (2)
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Les sculptures sonores: The First Fifty YearsYear: 1999 Preview: No Label: FMR Records (2)
Role: Liner Notes for Bernard Baschet & François Baschet
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The First Fifty YearsYear: 1999 Preview: No Label: Soundworld
Role: Production for Bernard Baschet & François Baschet, Structures Sonores Lasry-Baschet